'Karri Crowned' Oil and gold leaf on canvas, 123 x 90cm framed in oak. Inspired by time in the Karri forests of Northcliffe, Western Australia, and an installation by Lorenna Grant at the Understory Art and Nature Trail called “Whole, you were meant to be here.” The halo encircling the tree is not light, but something made—suggesting both reverence and the impulse to frame or claim the natural world. As these forests face increasing pressure from logging and climate change, the work asks what it means to honour, protect, and belong. $3,550

'Planted- Sky Reaching'. 130 x 90 cm. Acrylic on canvas. The work captures the quiet majesty of looking upward through towering eucalypts into filtered light. Through layered mark-making and luminous passages of sky, the work reflects the experience of standing beneath the forest canopy — grounded in place yet reaching toward openness and light. Inspired by the forests of Tamborine Mountain, the painting speaks to connection, presence, and the living architecture of trees. $3,550

'Walking With Judith Wright'. Mixed media on canvas 122 x 202 x 12 cm For some time when my children were small we lived on Knoll Road and I walked the tracks of the Knoll section of the National Park on a daily basis. I have long been fascinated by the life of Australian poet Judith Wright who lived on Tamborine Mountain for 30 years as I have now done. When I walk that track I think of her, vanguard and champion that she was. $14,000

'The Twist in the Story' Acrylic and natural ink over vintage ortho-photographic map of Tamborine Mountain. This tree is on a songline, a walking track, a place of refuge. It bends and twists accomodating the weather, other trees and the ravages of time. Knoll Section Tamborine Mountain National Park. $2,250

'What the map doesn't hold.' Acrylic and natural ink over vintage ortho-photographic map of Ferny Glen. Rainforest circuit Binna Burra. Despite what we do to change our map whether personally or our places, some things remain the same. Quiet hidden places of resilience and great beauty made up of millions of tiny parts interconnected and interacting. $2,250

'After the Fire' Graphite ink, pastel and charcoal on paper. framed in oak and non reflective glass. 128 x 89 cm 2020 : the summer fires raged through our national parks. 2021 I revisited Crowdy Head where the fires had devastated the landscape. The Grass Trees were growing back and the horizon was covered in seed heads. $2,750

'Ulysses Tree'. charcoal, pastel and collage framed in oak and glass. In this study I returned to my love of maps and the texture made by the words on the pages of books. In this case James Joyce Ulysses- a book most famous for its use of a variant of the interior monologue known as the stream-of-consciousness technique. $850

'Heart in your Palm' Archontophoenix cunninghamiana, Piccabeen Palm, Bangalow Palm. after Allan Cunningham, a British botanist who collected extensively in Australia and who sent some of the earliest specimens to The Royal Botanic Gardens, Kew. The leaf bases were used as water carriers by Aboriginal people and the names Piccabeen and Bangalow supposedly come from Aboriginal words for water carrier. The cabbage (the shoot and surrounding young leaves and tissue) is edible and was widely collected by Aboriginal people and early settlers UNFRAMED $400

'Which wolf will you feed?' Charcoal, pastel and condys crystal over world map . 65 x 100 cm framed in oak under glass. In a time of environmental and political uncertainty, a shared eco-anxiety lingers. Painting trees becomes a way to steady the mind and reconnect with something enduring. Set against a world map, Which Wolf Will You Feed reflects the tension within us all. Two wolves embody opposing forces—fear and hope, despair and care. An old Cherokee story tells of a grandfather who speaks of two wolves fighting within each of us—one driven by anger, greed and fear, the other by love, compassion and hope. When asked which wolf will win, he replies: the one you feed. $1,950

'Angophora Afternoon' Charcoal and pastel on paper framed in oak under glass. 64 x 50 cm Ahimsa, Lane Cove National Park On my first visit to Ahimsa I noticed three striking Angophora costata: one growing on each side of the house. The afternoon summer light shone on the pink and silver trunk of the Sydney Red Gum and the scent of wattle, gum blossom and casuarina took me back to my childhood in this bushland. I sat on the steps leading to the house and thought about Marie. I marvel at her tenacity, her courage and inner calm. I thought about all those that have come before me who have walked this land and cared for it. The ants crawled over me as I drew, the wind sang in the branches above me… and the angophora looked on. $595

'To the Horizon I Would Fly / Profile in Black' Zanda funerea Yellow-tailed Black Cockatoo, Tamborine Mountain QLD Natural inks, collage and stitching on watercolour paper. $500

'Night Caller' Burhinus grallarius Bush Stone-curlew, Stradbroke Island QLD Natural inks, collage and stitching on watercolour paper 40 x 30 cm framed in oak under glass $500

'Pilbara Trace'. Ocyphaps lophotes Crested Pigeon, Tom Price WA Natural inks, collage and stitching on watercolour paper 41 x 36 cm framed in oak under glass $500

'The Collector' Chlamydera nuchalis Great Bowerbird, Litchfield National Park NT Natural inks, collage and stitching on watercolour paper 42 x 39 cm framed in oak under glass. $500

'Bend.' Oil on on canvas, oak frame 55 x 158 cm Sometimes the line of a branch—the angle of a limb—can be mesmerising against a vivid sky. The curve of the branch suggests both strength and yielding—an adaptation to forces unseen. $850

'Where the Branches Meet' (Platter) A unique collaboration between Nicci Parry Jones and Bronwyn Davies. The expansive circular form allows the canopy to open outward, creating a striking visual field. Designed as a functional platter or display piece for a table, shelf, or stand, it brings a quiet sense of landscape into the interior. (Display stand not included) $450

'Holding the sky'- vessel 1 (foreground) Hand-thrown and fired by Nicci Parry Jones, with hand-applied glaze and sgraffito by Bronwyn Davies. A finely drawn canopy moves across a luminous blue ground, extending Davies’ drawing practice into clay. bell shaped vessel $450

'Carrying the Canopy '(Vessel 2) A unique collaboration between Nicci Parry Jones and Bronwyn Davies. Delicate branches are inscribed into the surface, suspended across a soft blue field. The vessel becomes a quiet container of place—balancing observation, materiality, and form. $450

'Silver Linings' Mixed media on Canvas Silver leaf, ink and acrylic framed in oak 93 x 82 cm $1,250

'Strings Attached' Mixed media on Canvas Pastels, ink, collage and acrylic framed in oak 93 x 82 cm $1,250

'Clouds'- from the breath series Ink and acrylic paint on canvas- framed in oak and glass 48 x 68 cm

'Effervescence' Ink, pastel and acrylic paint on canvas- framed in oak and glass 48 x 68 cm $350